one of my favorite recording artists is making her way back to the bay...
feist is an amazing singer/songwriter, who in recent years has garnered critical & commercial success. she has a great knack for scripting words that make sense twhen coupled with our own images. sonically, her live band is top notch. feist puts on amazing live shows that submerges you into an audio visual journey. she is coming to the city on monday, november 14 to play the warfield. chilly gonzales, her longtime friend & cohort will be joining her (he's amazing too).
this calendar year marked the release of her 4th studio album, metals. it's a beautiful record of textured sound that can both haunt & enchant. bind those lush musical palettes with her voice & your on the path of metals. i recommend picking it up on vinyl if you have a turn table. the songs translate well across the needle (they also give you a digital download code).
i happened to catch feist in asheville at the thomas wolfe auditorium during the reminder tour. it stands as one of the most complete live concerts i have seen. her backing band is ridiculously tight, her stage persona is entrancing & her light show, if you can even call it that, is arguably the most nostalgic and at the same time most progressive in the industry. she co-conspires with clea marinker on stage, who is more than capable of aiding the listener/viewer's adventure throughout the performance. a recent film, "look at what the light did now," showcased their wonderment. all of the collaborators, or friends it would seem, help feist to attain a higher art form. at the same time they all share creative responsibilty, thereby displacing the proverbial spot light from staying fixed upon feist. a fellow reviewer had this to say about the documentary and its contributor(s).
"...The arts and crafts approach is wonderfully simple but very effective. There are moments in the film that are easily the best with their atmospheric use of light, silhouette, paint, clay and exquisite sense of timing... An example is during the performance of “The Water,” Feist is alone on stage with just her guitar and words, as Clea Marinker stands in the darkness at the back of the stage using a board, some clay and her fingers to manipulate a changing landscape in various shapes and pictorial forms. It is incredible and certainly makes one want to experience it up close. It is noticeable that Leslie Feist is not that comfortable being the center of attention, therefore implementing the artwork of Clea Marinker allows the audience to view imagery and listen to the music without focusing solely on the singer." -martyn conterio
ultimately those of you who may read this should research, listen to & check out feist. unfortunately the warfield is sold out. you can try to get tickets or you can support her goodness through other technological means. i'll be stoked if one new set of ears learns of feist due to this post. experience live art! i feel as though this upcoming show will embody that of a performance piece, one that showcases many mediums of art. enjoy, maybe i'll see you there...
Wednesday, November 9, 2011
Feist at the Warfield
Posted by 80choices at 10:10 AM 1 comment:
Labels: chilly gonzales, clea marinker, feist, leslie feist, look at what the light did now, metals, warfield
Tuesday, November 8, 2011
Hess Collection & Empire I
if you're looking for something to do over this holiday season, i recommend making the trip to the Hess Collection. art enthusiast, Donald Hess, has been amassing one of the finest private collections of contemporary art since 1966. currently on display, amidst the amazing campus of vines, wine & art, are some of Rauschenberg's pieces from different periods throughout his stellar & thought provoking career. my favorite among those on display, for free i might add, is Empire I. (which was showcased in a major Rauschenberg retrospective in 1997 at New York's Guggenheim Museum.)
Empire I, is a seminal work, both for the artist & for the direction of modern American art. brought to life in 1961, this piece explores the use of ordinary objects to portray (potentially) greater political & social narration. the brick that is attached, in a leash like manner, is imprinted with the word 'empire'. this found object was most likely etched by the original mason or masonry; which only fuels the speculation as to whether it was part of the inspiration or a serendipitous find along the way to achieving the final look of this brilliant work. i find the single wheel to be dialogue inducing. is the use of one wheel simply singular or is there a greater, almost easier definition of function or lack there of? it elicits visuals of a wheel barrow or perhaps that of a homeless cart, the last of ones belongings. the strong pull of sentiment & preconceived notions ring loudly from the star that appears on the inside of the hollow hole that hangs and the stripes that gleam upon the wood itself. these images can easily lead you down a path of American discourse.
i feel as though the images upon objects relate to, while at the same time contradict, the American dream. it's a beautiful piece of art to me because of the inner dialogues, questions & statements it may or may not make. some of those feelings are purely emotional, others stem from our own association of what those materials are & mean individually, as well as, what they convey when assembled into the finished project. on the subject of Rauschenberg's work, Hess once said that he, "...related to his incessant search for a challenge and was amazed by his innate ability to arrange ordinary objects in a way that looks so effortless and poetic. Rauschenberg was a master at making the complicated simple."
this collection stands as one of the best in the world. not only does the collection house this remarkable piece by Rauschenberg, it displays six other works spanning decades & mediums. for those of you who enjoy the spice of life that is variety, know that there are choice masterpieces from other artists such as: Anselm Kiefer, Robert Motherwell, Morris Louis, Andy Goldsworthy & a slough of other renowned names.
so whether you want a scenic drive, tasty wine or impeccable art, i suggest you take a day to explore the Hess Collection on Mt. Veeder to do it all in one serene location. the staff on hand is incredibly friendly & down to earth. even though this place ranks high on the social ladder, there is a refreshing lack of stuffiness amongst guests and employees. please find this place if you haven't already. you're sure to loose yourself in one way or another. enjoy!
Posted by 80choices at 12:45 PM No comments:
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