Showing posts with label lazaretto. Show all posts
Showing posts with label lazaretto. Show all posts

Wednesday, July 16, 2014

So Far So Good 2K14

Symbol Audio
Summer is once again in full-swing. As initiated last year, "So Far So Good" is back with a look at my favorite records up to this point. Warm weather is always a great back-drop for the music of our choice. Below is a quick-hitting list of the tunes holding my attention. Again, I will revisit this topic near the end of 2014 to give a complete wrap-up of records. Thanks to the artists who create for us all. Enjoy.

Jack White | Lazaretto
Mr. White spent more time and attention to detail in the production of this record, breathing fresh life into his library of rocking sound. It's still a ripping Jack White album at it's inner core. Few people can hold a candle to this guy's fire. He's a true artist whom I'm always interested in hearing. Play Lazaretto from beginning to end and then listen to it again. The video below is a performance of the title track from Glastonbury.



Ikebe Shakedown | Stone By Stone
I haven't been able to wear this record out. The bold texture of Shakedown's sound is a lush update on  the pillar of music that is Afro-Cuban. The jazz funk/world beat hybrid is just so contagious. The Offering (below) is the initial song that gets this record going. Play Stone By Stone in its entirety—every track is full of summer and momentum.



Sturgill Simpson | Metamodern Sounds in Country Music
A modern day country artist who actually plays real country. Sturgill emits a gutsy, outlaw vibe, which is awesome if it's genuine. The whole record captures its listeners. Just play 'em all. The track below, Turtles All the Way Down, is the first song on the album.



Shamir | NorthTown EP
Moving to NYC from outside of Las Vegas, Shamir brings richness to minimalistic production. The androgyny of the vocals is beautiful and individualistic. The five installments on this EP almost feel like two halves. The first two tracks, If It Wasn't True and I Know It's a Good Thing (below), are in my heavy rotation.



Iggy Azalea | The New Classic
Too many hits not to give it praise. C'mon—white Australian female rapper who currently dominates the charts? Regardless of her production team, it's pretty cool. I'll admit, some of her tracks are just SO club-tastic that I can't deny it. Check out bangers such as Work, Black Widow, and Fancy (below).



Beck | Morning Phase
This album is the belated sibling to Sea Change, down to the cover art. When I listen to Beck's mellower tunes I feel a sense of appreciation. Side A feeds into that somber recognition, but the real caloric intake is on side B. The sounds are within reach, like soft, low-hanging fruit. Songs such as Turn Away and Country Down (below) embody this ripe-for-the-picking sentimentality.



Honorable Mention
Lykke Li | I Never Learn
Ray LaMontagne | Supernova

There are a host of other albums that have yet to drop. Here are a few of them: TV On the Radio (hopefully this year), Wilco (could be this year), Best Coast, My Morning Jacket, Shovels & Rope, Jeff Tweedy, and Spoon.

eightychoices.

Sunday, May 18, 2014

Jack White, Lazaretto & the Future of Storytelling?

Jack White | Lazaretto
Jack's back with an ultra new solo record. On June 10th White will release Lazaretto via his Third Man label. For those of us who love to hear someone rocking out, there aren't too many shredding harder than this hyper-talented innovator. The first offering from the album is, "High Ball Stepper." This latest LP is the result of Jack digging even deeper into his bag of tricks. The "Ultra" version will be pressed on 180 gram vinyl and will include two hidden tracks beneath the center labels. No need to peel away in order to listen — genius. One of the hidden gems will play at 78 rpm, while the other will perform at 45rpm, creating a three-speed record. There will be dual-groove technology implemented on the track, "Just One Drink", allowing for the dichotomy of an acoustic and electric track, depending on where the needle is dropped. As it continues to spin the grooves eventually meet, thus meshing the two sounds into one for the duration of the song. Both sides are pressed in a flat-edge format and will end in locked grooves for continual play. Side A will offer up the first ever Dead Wax area, which will house a hand-etched hologram by artist Tristan Duke. The vinyl addition also has a varied running order and implements some different mixes. As a Vault member I am over the moon excited to unearth this treasure. Jack White is the man, thanks for taking care of the music and the listener. Long live Third Man.

High Ball Stepper | Jack White | Lazaretto



The Lazaretto Ultra LP | Third Man Records | Jack White



eightychoices.